#ADOBE PREMIERE WARP STABILIZER AND SPEED HOW TO#
And again, as long as you know how to do a few specific clicks, it's amazing how easy it is to remove a green or a colored background and make that transparent, create basically what we call an Alpha Channel. A video, how you remove that green and put it over any background you want. And then, we're gonna look at how you would do if you shot something on a green screen. We're gonna actually do, again, work with Mike. And it's just a matter of playing with it, and we're gonna look at that. Sition, it allows you to make the cut without having to go to B-Role, and it's very cool. But, if the person's kind of in the same po. If the person's on this side of the screen, and you try to morph to that side, it's gonna go. It doesn't work in, there's ways you can break it.
And it creates a smooth transition as it morphs the person from point a to b. We'll look at the Morph Cut, another great feature that wasn't really marketed by Adobe, but it literally allows you to do a straight cut between one part of an interview to another one. Or if it's a time-lapse with a bump, you can apply this and solve the problems, we'll look at that. And that's the Warp Stabilizer, which allows you to actually smooth out footage that might be handheld or might be a little bit bumpy. And I want to show you how to use them and explain a little bit how they work, so you don't get frustrated by making them do more than they need to do. These are special tools that I find have saved my bacon more times than not. We're gonna look at three of my favorite effects that come native in Premiere Pro.
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